2016      Small, Rachel, “How To Make a Scene, or Not,” Interview Magazine, February.
2015     Future Nostalgia: Performing David Bowie, Shelton Wadrep, Bloomsbury, pp. 51, 54, 55.
2014     Speak Through Art, exhibition catalog, Kaviar Factory     
             Meyer, Bill, "Ben Vida/Meredyth Sparks/Anthony Elms – Extraction LP (Future Audio Graphics)", Still Single
2013     Ange de l’histoire, exhibition catalog, Ecole Nationale Supérieure des Beaux-Arts 
             You Are Cordially Invited: The Art Fair Issue, page 51.
            "Meredyth Sparks," in conversation with Anna Sansom, Modern Weekly, China, p. C 84-85.
             Windows and Screens, exhibition catalog with an essay by Janine Mileaf, The Arts Club of Chicago.
            Ciezadlo, Janina, "Meredyth Sparks/ The Arts Club of Chicago, New City Art, February
2012    Rachel, T. Cole, "Meredyth Sparks Collede Source," Mixt(e),  Automne-Hiver, p.26, 107-111.
             Jones, Kristin M., “Germany is Your America,” Frieze, Issue 145, March, p.
             Antidote, Collection Ginette Moulin and Guillaume Houzé, JRP Ringier.
             45 78 33, in conjunction with the exhibition Mixtapes; popular music in contemporary art, Lewis Glucksman Gallery, Cork.
             Out of Focus: Photography, exhibition catalog, edited by William Ewing, Saatchi Gallery.
             Ward, Ossian, “Depth of Field, Out of Focus: Photography,” Time Out London, May 3-9, p.43.
             A-C.M, “La Saatchi Gallery Fait Une Mise Au Point,” Madame Figaro, May 4th.
             De Las Cuevas, Rafael, “Ataque indiscriminado de fotografía, estilo Saatchi,” Descoubrir el
             Arte Online
, June 14th.
             “Out of Focus: Saatchi Gallery, La Fotografia Actual & Social, No. 151, p. 5-9.
             Despain, Cara, “Meredyth Sparks,” ArtDistricts, May.
             Despain, Cara, “Meredyth Sparks: So I will let it alone and talk about the house,” The Miami Rail, Fall 2012.
2011   Johnson, Ken, “Germany Is Your America,” The New York Times, Oct. 28.
            Nichols, Matthew, “Meredyth Sparks,” Art in America, December, pp. 136.
            “The Female Dandy: Lisette Smits and Meredyth Sparks in Conversation,” LABOUR, pp. 6-10.
            Gempp, Brian, with Meredyth Sparks, “Extraction: An Apology for Cutting,” Striped Bare exhibition booklet, Veneklasen/ Werner.
            Fensom, Sarah E., “Instant Living Room,” Art and Antiques, November 2011, pp. 22-23.
             “Balenciaga/ Guggenheim Artist Portfolio," Pop Magazine, Spring/Summer, pp. 28, 236-243.
            Gropp, Rose-Marie, “Meredyth Sparks waltet drinnen bei VW in Berlin,” Frankfurter Allgemeine Zeitung, June 4.
            Heinevetter, Nele, “Eine Künstlerin auf Streifzug,” Zeit Online, 5/17/2011
            Grinsted, Daniel, “Tapetenwechsel,” Der Tagesspiegel, June 6.
2010    “Meredyth Sparks: Sequential Ardour,” Syntax Editions, Spring 2010.
            The X Initiative Yearbook, edited by Cecilia Alemani, Mousse Magazine and Publishing
            The Record: Contemporary Art and Vinyl, exhibition catalog, Duke University Press
             Smith, Roberta, “Meredyth Sparks,” New York Times, April 9, C28.
            “Decoding Images,” artinamerica.com
            Dordor, Francis,“Le punk se shoote á Arles,” Les Inrockuptibles, June 30- July 6, p. 3, 44-49.
            Les Rencontres d’Arles Photography 2010, exhibition catalog, p. 182- 185.
            Bourriaud, Nicolas, “Meredyth Sparks, “Everything we have loved is lost,” Frog Magazine, #9.
2009   Bourriaud, Nicolas, “Meredyth Sparks,” 20 Hoxton Square, October
            Colard, Jean-Max, “Meredyth Sparks: Everything we have loved is lost.,” les inrockuptibles, October, No. 724
            Launay, Aude, “Liz Deschenes, Rebecca Quaytman, Meredyth Sparks,” 02 Hiver 2009/2010, No. 52, p.32-37
            Licht, Alan, “White Noise,” Artforum, October, Vol. XLVIII, No. 2, p.236
            Meredyth Sparks, with essays by Nicolas Bourriaud and Robert Hobbs, published by Monografik Editions, Galerie Frank Elbaz, Elizabeth Dee Gallery
            Davies, Lillian, “Meredyth Sparks,” artforum.com, October
            Delos, Soline, “Arty Sparks Attraction,” Elle, September 25th, No. 3326, p.40
            Licata, Christine, “Meredyth Sparks: We were strangers for too long, at Elizabeth Dee Gallery, New York,” Art on Paper, Jan-Feb, Vol. 13, No. 3, p. 88-9
            Imdahl, Georg, “Gudrun und der ominöse Plattenspieler,” Kölner Stadt-Anzeiger, No. 58
            Dienstag, 10. März 2009, p. 31
            Knöfel, Ulrike, “Jahresrückblick 2008,” ART das Kunstmagazin, January, p. 59
2008   Sound of Music: Collection Frac Nord-Pas de Calais, exhibition catalog, p. 94-97
            Beck, Graham T., “Meredyth Sparks,” Frieze Magazine, Issue 119, Nov-Dec, p. 216
            Zhong, Fan, “Meredyth Sparks Show,” Interview, September, p. 126
            Anderman, Joan, “The Permanent Revolution,” The Boston Globe, Nov. 16th
2007   Ventrella, Francesco, “9 or 10 Lavori Che Mi Piacevano, In Nessun Ordine,” Flash Art Italy, Aug-Sept, p. 145
            Just Kick It Kick It Till It Breaks, exhibition catalog, edited by Debra Singer and
            Matthew Lyons, The Kitchen, New York, p. 22-23
            Doingbird, # Twelve, p. 50-51
            Masterpieces: CAPC musée d'art contemporain de Bordeaux, collection catalog, p. 220-221
            Lissoni, Andrea, “Puro piacere critico,” Rolling Stone, Italy, July, p. 165
            “Just Kick It Till It Breaks,” The New Yorker, April 30
            Cotter, Holland, “Just Kick It Till It Breaks,” The New York Times, April 13, p. E34
            Barliant, Claire, “2nd Moscow Biennale,” Modern Painters, May, p. 101-102
            2nd Moscow Biennale of Contemporary Art: Footnotes on Geopolitics, Market, and Amnesia, exhibition catalog, edited by Nikolai Molok, p. 120-121
            Bourriaud, Nicolas, “Stock Zero, or the Icy Water of Egotistical Calculation,” 2nd Moscow Biennale of Contemporary Art: Footnotes on Geopolitics, Market,             and Amnesia, p. 90
            Kapiélian, Nelly, “Rock & Litérature,” Les Inrockuptibles, March 6th, p. 3, 34-38
            “Dress Art Project,” Another Magazine, Spring-Summer 2007, p. 180
            Beasley, Mark, “Music is a Better Noise,” Frieze, Issue 106, April 2007, p. 165
            Alemani, Cecilia, “Cut,” artforum.com, December 13th
2006   Smith, Roberta, “Menace, Glitter and Rock in Visions of Dystopia,” New York Times, December 29th, p. 38, 44
            Azimi, Roxana, “Art Forum Berlin mise sur sa scène,” Le Journal des Arts, No. 245
            Speers Mears, Emily, “Cover Bands,” V Magazine, Spring 2006, p. 138-139
            Sennert, Kate, “The Art of Noise,” V Magazine, Fall 2006, p. 156
            Bailly, Berenice, “Deaf,” Le Monde, April 1st, p. 29
            Genies, Bernard, “Musiques attitudes,” Le Nouvel Observateur, SortirObs, March 23rd, p. 1
            Leqeux, Emmanuelle, “Deaf, From the Audible to the Visible,” Rendez-Vous, March 22nd, p. 49
2004    “Top Ten,” for year, Artforum, April 2004, p. 60
2001    K-48 Magazine, two images
1998    NY Arts, #27, December 1998, p. 46-47
            Turner, Grady T., ”Bowie,” Review Magazine, December, p. 24